First things first, Ted is an “R” rated film, which means
It’s going to be Family Guy style humor without a censor, so parents are apt to
leave the kiddies at home for this one, thought it may seem at times marketed
towards a teen and child audience. Personally, I would bring a thirteen year
old to this film, it wasn’t that raunchy for a developing teen, but perhaps a
sixteen year old is more the fair age for this film.
Ted
is about a potty-mouthed, sexist, Bostonite teddy bear…I could just say that and
that would be the end of the story, but there is some more that can be used to
explain it further: see, the story is based on the crazy writings of Seth
McFarlene, the creator of the shows Family Guy, and American Dad. The story is
about a boy who makes a wish for his stuffed teddy bear to come to life and be
his best friend forever. His wish comes true, and Ted turns into an
anthropomorphic being, and grows to be a best friend to the young boy.
Basically,
this story is about a foul-mouthed bear that grows with his best friend into a
stoner loser. Seth McFarlene is the voice of Ted, and other Family Guy
favorite, Mia Kunis is the girlfriend of Mark Wahlberg. Her part was not really
memorable, since it is mostly about Ted. I really didn’t find her part to be
spectacular, and really the only thing I took away from her character was that
she was the only one that really had any maturity throughout the whole movie.
Overall
the film is rauncy, vile, showing simulated sex between a teddy bear and
several women, brief nudity here and there, but mostly foul language, but it is
done mostly for emphasis of the scenes, rather than for shock value.
I
don’t really think that much needs to be said about this film, the most
exciting part of the film was the preview of the Dark Knight Rises, but the
movie was generally funny, a rather under-the-table sleeper of the summer, but
it really was not as amazing as I would’ve expected, considering the hype of
Seth McFarlene’s first major motion picture, and it NOT being a Family Guy
movie.
The
humor is gross, sophomoric, but at times there are a few gems, and the Boston
mindset is really captured well at times, though bordering on the verge of
stereotypes. Would I recommend this movie? Yes, and no, but I would say in a
day-and-age when tickets are peaking almost twenty dollars each, I would say it
would be cheaper and more satisfying to viewers to wait for this one to come on
DVD and Blu-Ray, rather than see it in theaters.
It’s
really hard to give away any plot to the fil, seeing as the plot centers around
putting away your childhood things, and moving on with one’s life, which the
main character has difficulty doing with Ted, this makes it difficult for him
to have a relationship with Mila Kunis, but despite all her last-chances,
Walhberg’s character still manages to screw up every chance given, and finally
forces Ted to move out and find his own place. Though Ted is a talking teddy
bear, his fame has come and gone, like a “Where are they Now?” special, and
although he’s out working, making his own way, there is some danger even for a
teddy bear.
A
psychotic fan (played by Giovanni Ribisi) of Ted wants to capture him, and make
him a present for his equally creepy son. This leads to a confrontation where
Ted is then basically captured, stolen, and kept hostage. The ending of course
is a mixed message to how we treat our possessions, but mostly it’s a stoner
film with a talking teddy bear.
In
the end, the film is okay, not spectacular, but okay. In this day-and-age when
everything is a superhero movie, and Hollywood basically throws a dart at any
past fiolm made, for another remake, this movie is a taste of originality,
despite having more college-based satire, and sophomoric jokes.
I
would say the movie is not Oscar-worthy, but then again, most movies are not
Oscar-worthy. Ted is funny, but I wouldn’t go so-far as to call it the best
movie of the year, or best comedy of the year, or even the best summer picture
of the year. It is just good, and if you’re interested in seeing it that bad,
you will, but I would say that it should be rented or bought on DVD or Blu-Ray,
not something to just run out and see. For those who so desires a rating
system, I would give it a 3.5 out of 5, but seeing as I don’t use any true
point system, I would rather just say the movie is worth a rent, or possibly a
buy if you’re a fan of McFarlene’s earlier work, but I’m just not that heavy on
recommending spending a dime at the theater for this one.
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